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José M. González, The Epic Rhapsode and His Craft: Homeric Performance in a Diachronic Perspective
Acknowledgments
Key to the Books of the Iliad and the Odyssey
Introduction
Part I. The ‘Homeric Question’
1. Dictation Theories and Pre-Hellenic Literacy 2. Dictation Theories and Archaic Art 3. The Technology of Writing 4. The Euboian Connection 5. Archaic Inscriptions before 650 BC 6. Early Homeric Scholarship and Editions Part Ⅱ. Rhapsodic Performance in Pre-Classical Greece
7. Homer the Rhapsode 8. Hesiod the Rhapsode Part Ⅲ. Rhapsodic Performance in High-Classical Athens
9. The Rhapsode in Classical Athens 10. The Rhapsode in Performance Part Ⅳ. Rhapsodic Performance in the Late Classical and Post-Classical Periods
11. The Performance of Drama and Epic in Late-Classical Athens 12. The Performance of Homer after Ⅳ BC Part V. Aristotle on Performance
13. Rhapsodic hypokrisis and Aristotelian lexis 14. The Aristotelian tekhnē of hypokrisis Conclusion Appendix. The Origin of the Term hypokritēs Bibliography
Key to the Books of the Iliad and the Odyssey
Α Iliad 1 Β Iliad 2 Γ Iliad 3 Δ Iliad 4 Ε Iliad 5 Ζ Iliad 6 Η Iliad 7 Θ Iliad 8 Ι Iliad 9 Κ Iliad 10 Λ Iliad 11 Μ Iliad 12 Ν Iliad 13 Ξ Iliad 14 Ο Iliad 15 Π Iliad 16 Ρ Iliad 17 Σ Iliad 18 Τ Iliad 19 Υ Iliad 20 Φ Iliad 21 Χ Iliad 22 Ψ Iliad 23 Ω Iliad 24 |
α Odyssey 1 β Odyssey 2 γ Odyssey 3 δ Odyssey 4 ε Odyssey 5 ζ Odyssey 6 η Odyssey 7 θ Odyssey 8 ι Odyssey 9 κ Odyssey 10 λ Odyssey 11 μ Odyssey 12 ν Odyssey 13 ξ Odyssey 14 ο Odyssey 15 π Odyssey 16 ρ Odyssey 17 σ Odyssey 18 τ Odyssey 19 υ Odyssey 20 φ Odyssey 21 χ Odyssey 22 ψ Odyssey 23 ω Odyssey 24 |