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José M. González, The Epic Rhapsode and His Craft: Homeric Performance in a Diachronic Perspective
Acknowledgments
Key to the Books of the Iliad and the Odyssey
Introduction
Part I. The ‘Homeric Question’
1. Dictation Theories and Pre-Hellenic Literacy 2. Dictation Theories and Archaic Art 3. The Technology of Writing 4. The Euboian Connection 5. Archaic Inscriptions before 650 BC 6. Early Homeric Scholarship and Editions Part Ⅱ. Rhapsodic Performance in Pre-Classical Greece
7. Homer the Rhapsode 8. Hesiod the Rhapsode Part Ⅲ. Rhapsodic Performance in High-Classical Athens
9. The Rhapsode in Classical Athens 10. The Rhapsode in Performance Part Ⅳ. Rhapsodic Performance in the Late Classical and Post-Classical Periods
11. The Performance of Drama and Epic in Late-Classical Athens 12. The Performance of Homer after Ⅳ BC Part V. Aristotle on Performance
13. Rhapsodic hypokrisis and Aristotelian lexis 14. The Aristotelian tekhnē of hypokrisis Conclusion Appendix. The Origin of the Term hypokritēs Bibliography
To cite this work:
González, José M. 2013. The Epic Rhapsode and His Craft: Homeric Performance in a Diachronic Perspective. Hellenic Studies Series 47. Washington, DC: Center for Hellenic Studies.
