-
Casey Dué, The Captive Woman's Lament in Greek Tragedy
Acknowledgments
Introduction
1. Men's Songs and Women's Songs
2. Identifying with the Enemy
3. Athenians and Trojans
4. The Captive Woman's Lament and Her Revenge in Euripides' Hecuba
5. A River Shouting with Tears
6. The Captive Woman in the House
Conclusion. The Tears of Pity
Bibliography
Bibliography
LIMC Ackermann, H. C., and J.-R. Gisler, eds. Lexicon Iconographicum Mythologiae Classicae. Zurich: Artemis Verlag, 1981-1997
RE Pauly, A., G. Wissowa, and W. Kroll, eds. Realenzyklopädie der klassischen Altertumswissenschaft. Stuttgart, 1893-
Abrahamson, E. L. 1952. “Euripides’ Tragedy of Hecuba.” TAPA 83: 120-129.
Abu-Lughod, L. 1999. Veiled Sentiments: Honor and Poetry in a Bedouin Society. 2nd ed. Berkeley: University of California Press.
Adams, S. 1952. “Salamis Symphony: the Persae of Aeschylus.” In White 1952: 46-54.
Aélion, R. 1983. Euripide Héritier d’Eschyle. Paris: Les Belles Lettres.
Ahlberg-Cornell, G. 1992. Myth and Epos in Early Greek Art: Representation and Interpretation. Jonsered, Sweden: Paul Åströms Förlag.
Aitken, E., and J. Maclean, eds. 2003. Philostratus: On Heroes. Atlanta, Ga.: Society of Biblical Literature.
Alden, M. 2000. Homer Beside Himself: Para-Narratives in the Iliad. Oxford: Oxford University Press.
Alexiou, M. 1974. The Ritual Lament in Greek Tradition. Cambridge: Cambridge University Press. 2nd ed., ed. P. Roilos and D. Yatromanolakis. Lanham, Md.: Rowman and Littlefield, 2002.
Alexiou, M., and P. Dronke. 1971. “The Lament of Jephta’s Daughter: Themes, Traditions, Originality.” Studi Medievali 3rd series vol. 12: 819-63.
Allan, W. 2000. The Andromache and Euripidean Tragedy. Oxford: Oxford University Press.
Allen, T. W., ed. 1921. The Homeric Catalogue of Ships. Oxford: Clarendon Press.
Anderson, M. J., ed. 1965. Classical Drama and Its Influence: Essays Presented to H. D. F. Kitto. London: Methuen.
Anderson, M. J. 1997. The Fall of Troy in Early Greek Poetry and Art. Oxford: Clarendon Press.
Arnould, D. 1990. Le rire et les larmes dans la littérature grecque d'Homère à Platon. Paris: Belles Lettres.
Atallah, W. 1966. Adonis dans la littérature et l'art grecs. Paris: C. Klincksieck.
Bacon, H. 1961. Barbarians in Greek Tragedy. New Haven: Yale University Press.
Bailey, C., ed. 1936. Greek Poetry and Life: Essays Presented to Gilbert Murray on his Seventieth Birthday. Oxford.
Baldry, H. C. 1961. “The Idea of the Unity of Mankind.” In Grecs et Barbares: 167-195.
Barlow, S., ed. Euripides Trojan Women. 1986. Warminster, England: Aris and Phillips.
Bartók, B. and A. B. Lord. 1951. Serbo-Croatian Folk Songs: Texts and Translations of Seventy-five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Melodies. New York: Columbia University Press.
Bassi, K. 1998. Acting Like Men: Gender, Drama, and Nostalgia in Ancient Greece. Ann Arbor: University of Michigan Press.
Beissinger, M., J. Tylus, and S. Wofford, eds. 1999. Epic Traditions in the Contemporary World: The Poetics of Community. Berkeley: University of California Press.
Blok, J. 2001. “Virtual Voices: Toward a Choreography of Women’s Speech in Classical Athens.” In Lardinois and McClure 2001: 95-116.
Blumenthal, A. von. 1927. “Sophokles.” RE 3 A 1052.
Boardman, J. 1989. Athenian Red Figure Vases of the Classical Period. New York: Thames and Hudson.
Boedeker, D. 1998. “Presenting the Past in Fifth-century Athens.” In Boedeker and Raaflaub 1998: 185-202.
Boedeker, D., and K. Raaflaub, eds. 1998. Democracy, Empire, and the Arts in Fifth-century Athens. Cambridge, Mass.: Harvard University Press.
Borthwick, E. 1976. “‘Flower of the Argives’ and a Neglected Meaning of anthos.” JHS 96: 1-7.
Bouvrie, S. des. 1990. Women in Greek Tragedy. An Anthropological Approach. Oxford: Oxford University Press.
Bowers, J. 1993. “Women’s Music and the Life Cycle.” International League of Women Composers Journal (October, 1993): 14-20.
Bremmer, J. 1999. “Transvestite Dionysus.” In Padilla 1999: 183-200.
Brown, W. E. 1965/6. “Sophocles’ Ajax and Homer’s Hector.” CJ 65: 118-121.
Burgess, J. S. 2001. The Tradition of the Trojan War in Homer and the Epic Cycle. Baltimore: Johns Hopkins University Press.
Burian, P. Directions in Euripidean Criticism. 1985. Durham, N.C.: Duke University Press.
Burnett, A. P. 1977. “Trojan Women and the Ganymede Ode.” Yale Classical Studies 25: 291-316.
––––. 1994. “Hekabe the Dog.” Arethusa 27: 151-64.
––––. 1998. Revenge in Attic and Later Tragedy. Berkeley: University of California Press.
Cairns, D. 1993. Aidos: The Psychology and Ethics of Honour and Shame in Ancient Greek Literature. Oxford: Clarendon Press.
Calame, C. 1977. Les choeurs de jeunes filles en Grèce archaïque. Rome: Edizioni dell’ Ateneo & Bizzarri.
––––. 1994/5. “From Choral Poetry to Tragic Stasimon: The Enactment of Women’s Song.” Arion 3: 136-154.
––––. 1999(a). Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function, trans. D. Collins and J. Orion. Lanham, Md.: Rowman & Littlefield.
––––. 1999(b). The Poetics of Eros in Ancient Greece, trans. J. Lloyd. Princeton: Princeton University Press.
––––. 1999(c). “Performative Aspects of the Choral Voice in Greek Tragedy: Civic Identity in Performance.” In Goldhill and Osborne 1999: 125-153.
Caraveli, A. 1986. “The Bitter Wounding: Lament as a Social Protest in Rural Greece.” In Dubisch 1986: 169-94.
Caraveli-Chavez, A. 1978. Love and Lamentation in Greek Oral Poetry. State University of New York doctoral dissertation.
––––. 1980. “Bridge Between Two Worlds: The Women’s Ritual Lament as Communicative Event.” Journal of American Folklore 93: 129-157.
Carlisle, M., and O. Levaniouk, eds. 1999. Nine Essays on Homer. Lanham, Md.: Rowman & Littlefield.
Carpenter, T. H. 1991. Art and Myth in Ancient Greece: A Handbook. London: Thames and Hudson.
Carson, A. 1986. Eros the Bittersweet. Princeton: Princeton University Press.
Cartledge, P. 1993. The Greeks: A Portrait of Self and Other. Oxford: Oxford University Press.
––––. 1997. “‘Deep Plays’: Theatre as Process in Greek Civic Life.” In Easterling 1997: 3-35.
––––. 1998. “The Machismo of the Athenian Empire—or the Reign of the Phaulus?” In Foxhall and Salmon 1998: 54-67.
Cartledge, P., P. Millet, and S. Todd, eds. 1990. Nomos: Essays in Athenian Law, Politics, and Society. Cambridge: Cambridge University Press.
Caskey, M. E. 1976. “Notes on Relief Pithoi of the Tenian-Boiotian Group.” AJA 80: 19-41.
Castriota, D. 1992. Myth, Ethos, and Actuality: Official Art in Fifth-century B.C. Athens. Madison, WI: University of Wisconsin Press.
Clerke, A. M. 1892. Familiar Studies In Homer. London: Longmans, Green and Co.
Clifford, J. 1986. “Introduction: Partial Truths.” In Clifford and Marcus 1986: 1-26.
Clifford, J., and G. Marcus, eds. 1986. Writing Culture. Berkeley: University of California Press.
Cohen, B. 1997. “Divesting the Female Breast of Clothes in Classical Sculpture.” In Koloski-Ostrow and Lyons 1997: 66-92.
––––., ed. 2000. Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Leiden: Brill.
Cohen, D. 1995. Law, Violence, and Community in Classical Athens. Cambridge: Cambridge University Press.
Collard, C. 1991. Euripides: Hecuba. Warminster, England: Aris and Phillips.
Conacher, D. J. 1967. Euripidean Drama: Myth, Theme, and Structure. Toronto: University of Toronto Press.
––––. 1974. “Aeschylus’ Persae: A Literary Commentary.” In Heller 1974: 141-68.
Connor, W. R. “The Herms of Eion.” Center for Hellenic Studies (forthcoming).
Coote, M. 1977. “Women’s Songs in Serbo-Croatian.” Journal of American Folklore 90: 331-338.
––––. 1992. “On the Composition of Women’s Songs.” Oral Tradition 7: 332-348.
Corcella, A. 1984. Erodoteo e l’analogia. Palermo: Sellerio.
Croally, N. T. 1994. Euripidean Polemic: The Trojan Women and the Function of Tragedy. Cambridge: Cambridge University Press.
Cropp, M., K. Lee, and D. Sansone, eds. 1999/2000. Euripides and Tragic Theatre in the Late Fifth Century. Illinois Classical Studies 24-25.
Csapo, E., and W. Slater, eds. 1994. The Context of Ancient Drama. Ann Arbor: University of Michigan Press.
Daitz, S. 1971. “Concepts of Freedom and Slavery in Euripides’ Hecuba.” Hermes 99: 217-226.
Danforth, L. 1982. The Death Rituals of Rural Greece. Princeton: Princeton University Press.
Davidson, O. M. 2000. Comparative Literature and Classical Persian Poetics. Costa Mesa, Calif.: Mazda.
Davies, M., ed. 1988. Epicorum Graecorum Fragmenta. Göttingen: Vandenhoek & Ruprecht.
––––. 1989. The Epic Cycle. Bristol: Bristol Classical Press.
Delebecque, E. 1951. Euripide et la guerre du Péloponnèse. Paris: C. Klincksieck.
Derderian, K. 2001. Leaving Words to Remember: Greek Mourning and the Advent of Literacy. Mnemosyne Supplement 209. Leiden: Brill.
Detienne, M. 1994. The Gardens of Adonis: Spices in Greek Mythology, trans. J. Lloyd. Princeton: Princeton University Press.
Doherty, L. 1996. Siren Songs: Gender, Audiences, and Narrators in the Odyssey. Ann Arbor: University of Michigan Press.
Dougherty, C. 1993. The Poetics of Colonization: From City to Text in Archaic Greece. New York: Oxford University Press.
Dubisch, J., ed. 1986. Gender and Power in Rural Greece. Princeton: Princeton University Press.
Dubois, P. 1984. Centaurs and Amazons. Ann Arbor: University of Michigan Press.
Dué, C. 2000. “Tragic History and Barbarian Speech in Sallust’s Jugurtha.” HSCP 100: 311-325.
––––. 2002. Homeric Variations on a Lament by Briseis. Lanham, Md.: Rowman and Littlefield.
––––. 2003. “Poetry and the Dêmos: State Regulation of a Civic Possession.” In C.W. Blackwell, ed., Dêmos: Classical Athenian Democracy [A. Mahoney and R. Scaife, edd., The Stoa: A Consortium for Electronic Publication in the Humanities] (edition of January 31, 2003): http://www.stoa.org/projects/demos/article_poetry_and_demos?page=1.
Dué, C., and G. Nagy. 2003. “Preliminaries to the On Heroes of Philostratus.” In Aitken and Maclean 2003: xvii-xliii.
Dué, C., M. Ebbott, and D. Yatromanolakis, eds. 2001-. Homer and the Papyri. Center for Hellenic Studies: http://chs.harvard.edu/homer_papyri.
Dunn, F. 1996. Tragedy's End: Closure and Innovation in Euripidean Drama. New York: Oxford University Press.
Easterling, P. E. 1984. “The Tragic Homer.” BICS 31: 1-8.
––––. 1987. “Women in Tragic Space.” BICS 34: 15-26.
––––. 1996. “Weeping, Witnessing, and the Tragic Audience: Response to Segal.” In Silk 1996: 173-181.
––––., ed. 1997. The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press.
Ebbott, M. 1999. “The Wrath of Helen: Self-Blame and Nemesis in the Iliad.” In Carlisle and Levaniouk 1999: 3-20.
––––. 2000. “The List of the War Dead in Aeschylus’ Persians.” HSCP 100: 83-96.
––––. 2003. Imagining Illegitimacy in Classical Greek Literature. Lanham, Md.: Lexington Books.
––––. 2005. “Marginal Characters in Greek Tragedy.” In Gregory 2005 (forthcoming).
Erskine, A. 2001. Troy Between Greece and Rome: Local Tradition and Imperial Power. Oxford: Oxford University Press.
Ervin, M. 1963. “A Relief Pithos from Mykonos.” Archaiologikon Delton 18: 37-75.
Ferrari, G. 1990. “Figures of Speech: The Picture of Aidos.” Metis 5: 185-200.
––––. 1997. “Figures in the Text: Metaphors and Riddles in the Agamemnon.” CP 92: 1-45.
––––. 2000. “The Ilioupersis in Athens.” HSCP 100: 119-150.
––––. 2002a. “The Ancient Temple on the Acropolis at Athens.” AJA 106: 11-36.
––––. 2002b. Figures of Speech: Men and Maidens in Ancient Greece. Chicago: University of Chicago Press, 2002.
Figueira, T., and G. Nagy, eds. 1985. Theognis of Megara: Poetry and the Polis. Baltimore: Johns Hopkins University Press.
Finkelberg, M. 1988. “Ajax’ Entry in the Hesiodic Catalogue of Women.” CQ 38: 31-41.
Finley, M., ed. 1960. Slavery in Classical Antiquity: Views and Controversies. Cambridge: W. Heffer.
––––. 1980. Ancient Slavery and Modern Ideology. London: Chatto and Windus.
––––. 1981. Economy and Society in Ancient Greece. ed. B. Shaw and R. Saller. London: Chatto and Windus.
––––., ed. 1987. Classical Slavery. London: Frank Cass.
Fisher, N. 1990. “The Law of Hubris in Athens.” In Cartledge, Millett, and Todd 1990: 147-65.
––––. 1992. Hybris : A Study in the Values of Honour and Shame in Ancient Greece. Warminster: Aris and Phillips.
––––. 1993. Slavery in Classical Greece. London: Bristol Classical Press.
Flashar, H. 1956. “Die medizinischen Grundlagen der Lehre von der Wirkung der Dichtung in der griechischen Poetik.” Hermes 84: 12-48.
Flueckiger, J. 1996. Gender and Genre in the Folklore of Middle India. Ithaca: Cornell University Press.
Foley, H. 1978. “Reverse Similes and Sex Roles in the Odyssey.” Arethusa 11: 7-21.
––––. 2001. Female Acts in Greek Tragedy. Princeton: Princeton University Press.
––––. 2003. “Choral Identity in Greek Tragedy.” CP 98: 1-30.
Foley, J. M., ed. 1990. Oral Formulaic Theory: A Folklore Casebook. New York: Garland.
––––. 1999. Homer’s Traditional Art. University Park: Pennsylvania State University Press.
––––. 2002. How to Read an Oral Poem. Urbana: University of Illinois Press.
Fornara, C. W. 1971(a). Herodotus: An Interpretive Essay. Oxford: Oxford University Press.
––––. 1971(b). “Evidence for the Date of Herodotus’ Publication.” JHS 91: 25-34.
Fowler, R. L. 1987. “The Rhetoric of Desperation.” HSCP 91: 5-38.
Foxhall, L., and J. Salmon, eds. 1998(a). Thinking Men: Masculinity and its Self-Representation in the Classical Tradition. New York: Routledge.
––––., eds. 1998(b). When Men Were Men: Masculinity, Power, and Identity in Classical Antiquity. New York: Routledge.
Frame, D. 1978. The Myth of the Return in Early Greek Epic. New Haven: Yale University Press.
Friis Johansen, K. 1967. The Iliad in Early Greek Art. Copenhagen: Munksgaard.
Frisone, F. 2000. Leggi e regolamenti funerari nel mondo Greco I: le fonti epigraphiche. Lecce: Università di Lecce, Scoula di Specializzazione in Archeologia Classica e Medioevale.
Gagarin, M. Aeschylean Drama. 1976. Berkeley: University of California Press.
Gamel, M.-K. 1999. “Staging Ancient Drama: The Difference Women Make,” in Porter, Csapo, Marshall, and Ketterer 1999: 22-42.
Gantz, T. Early Greek Myth. 1993. Baltimore: Johns Hopkins University Press.
Garlan, Y. 1987. “War, Piracy, and Slavery in the Greek World.” In Finley 1987: 9-27.
––––. 1988. Slavery in Ancient Greece, trans. J. Lloyd. Ithaca, N.Y.: Cornell University Press.
Garland, R. 1985. The Greek Way of Death. Ithaca: Cornell University Press.
Gellrich, M. 1995. “Interpreting Greek Tragedy: History, Theory, and the New Philology.” In Goff 1995: 38-58.
Gennep, A. van. 1960. The Rites of Passage, trans. M. Vizedom and G. Caffe. Chicago: University of Chicago Press.
Goetsch, S., and P. Toohey, eds. 1995. How is it Played? Genre, Performance and Meaning. Didaskalia Suppl. 1: http://didaskalia.open.ac.uk/issues/supplement1/index.html.
Goff, B., ed. 1995. History, Tragedy, Theory: Dialogues on Athenian Drama. Austin: University of Texas Press.
Goldhill, S. Reading Greek Tragedy. 1986. Cambridge: Cambridge University Press.
––––. 1988. “Battle Narratives and Politics in Aeschylus’ Persae.” JHS 108: 189-193.
––––. 1996. “Collectivity and Otherness—The Authority of the Tragic Chorus.” In Silk 1996: 244-256.
––––. 1997. “The Audience of Athenian Tragedy.” In Easterling 1997: 54-68.
Goldhill, S., and R. Osborne, eds. 1993. Art and Text. Cambridge: Cambridge University Press.
Goossens, R. 1962. Euripede et Athènes. Brussels: Palais des Académies.
Gould, J. 1996. “Tragedy and Collective Experience.” In Silk 1996: 217-243.
Graver, M. 1995. “Dog-Helen and Homeric Insult.” Classical Antiquity 14: 41-61.
Grecs et Barbares. 1961. Entretiens sur L’Antiquité Classique 8. Geneva: Fondation Hardt.
Greene, T. M. 1999. “The Natural Tears of Epic.” In Beissinger, Tylus, and Wofford 1999: 189-202.
Gregory, J. 1991. Euripides and the Instruction of the Athenians. Ann Arbor: University of Michigan Press.
––––., ed. 1999. Euripides: Hecuba. Atlanta, Ga.: Scholars Press.
––––., ed. 2005. The Blackwell Companion to Greek Tragedy. Oxford: Blackwell.
Griffin, J. 1977. “The Epic Cycle and the Uniqueness of Homer.” JHS 97: 39-53.
Griffith, M. 2001. “Antigone and her Sister(s): Embodying Women in Greek Tragedy,” In Lardinois and McClure 2001: 117-136.
Hagedorn, S. 2004. Abandoned Women: Rewriting the Classics in Dante, Boccaccio, and Chaucer. Ann Arbor: The University of Michigan Press.
Hall, E. 1989. Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford.
––––., ed. 1996. Aeschylus Persians. Warminster, England: Aris and Phillips.
––––. 2000. “Introduction.” In Morwood 2000: ix-xlii.
Hamilton, E. 1971. “A Pacifist in Periclean Athens.” In Euripides, Trojan Women, trans. E. Hamilton. New York: Bantam Books.
Harrison, T. 2000. The Emptiness of Asia: Aeschylus’ “Persians” and the History of the Fifth Century. London: Duckworth.
––––., ed. 2002. Greeks and Barbarians. New York: Routledge.
Hartog, F. 1988. The Mirror of Herodotus: The Representation of the Other in the Writing of History, trans. J. Lloyd. Berkeley: University of California Press.
Haslam, M. 1997. “Homeric Papyri and Transmission of the Text.” In Powell and Morris 1997: 55-100.
Hawke, J. 2004. “Flavia Frisone, Leggi e regolamenti funerari nel mondo Greco I: le fonti epigraphiche.” BMCR 2004.02.10: http://ccat.sas.upenn.edu/bmcr/2004/2004-02-10.html.
Heath, Malcolm. 1987(a). The Poetics of Greek Tragedy. Stanford, Ca: Stanford University Press.
––––. 1987(b). “Iure principem locum tenet: Euripides’ Hecuba.” BICS 34: 40-68.
––––. 2004. Aristotle Poetics: A Bibliography. University of Leeds, School of Classics (edition of June 21, 2004): http://www.leeds.ac.uk./classics/resources/poetics/poetbib.htm.
Hedreen, G. 1991. “The Cult of Achilles in the Euxine.” Hesperia 60: 313-30.
Heller, J., ed. 1974. Serta Turyniana: Studies in Greek Literature and Palaeography in Honor of Alexander Turyn. Urbana: University of Illinois Press.
Henderson, J. 1991. “Women and the Athenian Dramatic Festivals.” TAPA 121: 133-48.
Henrichs, A. 1994/5. “Why Should I Dance? Choral Self-referentiality in Greek Tragedy.” Arion 3: 56-111.
––––. 1996. “Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides.” Philologus 140: 48-62.
Herington, J. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley: University of California Press.
Herzfeld, M. 1993. “In Defiance of Destiny: The Management of Time and Gender at a Cretan Funeral.” American Ethnologist 20.2: 241-55.
Higbie, C. 1997. “The Bones of a Hero, The Ashes of a Politician: Athens, Salamis, and the Usable Past.” Classical Antiquity 16: 279-308.
Holst-Warhaft, G. 1992. Dangerous Voices: Women’s Laments and Greek Literature. New York: Routledge.
Householder, F., and G. Nagy. 1972. Greek: A Survey of Recent Work. Current Trends in Linguistics 9. Paris: The Hague.
Hurwit, J. 1985. The Art and Culture of Early Greece, 1100-480 B.C. Ithaca, N.Y.: Cornell University Press.
––––. 1999. The Athenian Acropolis: History, Mythology, and Archaeology from the Neolithic Era to the Present. Cambridge: Cambridge University Press.
Iakovidis, S. 1983. Late Helladic Citadels on Mainland Greece. Leiden: Brill.
Isaac, B. 2004. The Invention of Racism in Classical Antiquity. Princeton: Princeton University Press.
Janko, R., ed. 1987. Aristotle: Poetics I with the Tractatus Coislinianus, A Hypothetical Reconstruction of Poetics II, and the Fragments of the On Poets. Indianapolis: Hackett Publishing.
Jebb, R. C., ed. 1891. The Antigone of Sophocles. Cambridge: Cambridge University Press.
––––., ed. 1893. The Ajax of Sophocles. Cambridge: Cambridge University Press.
Jenkins, T. 1999. “Homêros ekainopoiêse: Theseus, Aithra, and Variation in Homeric Myth-Making.” In Carlisle and Levaniouk 1999: 207-226.
Jones, J. 1962. On Aristotle and Greek Tragedy. New York: Oxford University Press, 1962.
Joshel, S., and S. Murnaghan, eds. 1998. Women and Slaves in Greco-Roman Culture: Differential Equations. New York: Routledge.
Jouan, F. 1966. Euripide et les Légendes des "Chants Cypriens," des Origines de la Guerre de Troie à l' "Iliade." Paris: les Belles Lettres.
Judet de la Combe, P. 1995. “Sur la reprise d’Homère par Eschyle.” Lexis 13: 129-44.
Käppel, L. 1998. Die Konstruktion der Handlung der Orestie des Aischylos. Die Makrostruktur des ‘Plot’ als Sinnträger in der Darstellung des Geschlechterfluchs. Zetemata 99. Munich: Beck.
Katz, M. A. 1998. "Did the Women of Ancient Athens Attend the Theater in the Eighteenth Century?" CP 93: 105-24.
Kebric, R. 1983. The Paintings in the Cnidian Lesche at Delphi and their Historical Context. Leiden: Brill.
Kerewsky-Halpern, B. 1981. “Text and Context in Serbian Ritual Lament.” Canadian-American Slavic Studies 15: 52-60.
Keuls, E. 1993. The Reign of the Phallus: Sexual Politics in Ancient Athens. 2nd ed. Berkeley: University of California Press.
King. K. C. 1985. “The Politics of Imitation: Euripides’ Hekabe and the Homeric Achilles.” Arethusa 18: 47-66.
Kirk, G. S., ed. 1985. The Iliad: A Commentary I. Books 1-4. Cambridge: Cambridge University Press.
Kirkwood, G. M. 1947. “Hecuba and Nomos.” TAPA 78: 61-68.
––––. 1965. “Homer and Sophocles’ Ajax.” In Anderson 1965: 51-70.
Kitto, H. 1961. Greek Tragedy. 3rd ed. London: Methuen.
Knox, B. M. W. 1961. “The Ajax of Sophocles.” HSCP 65: 1-37.
Koloski-Ostrow, A. and C. Lyons, eds. 1997. Naked Truths: Women, Sexuality, and Gender in Classical Art and Archaeology. New York: Routledge.
Konstan, D. 2001. Pity Transformed. London: Duckworth.
––––. 2001. “To Hellenikon Ethnos: Ethnicity and the Construction of Ancient Greek Identity.” In Malkin 2001: 29-50.
Koskoff, E., ed. 1987. Women and Music in Cross-Cultural Perspective. New York: Greenwood Press.
Kovacs, D. 1987. The Heroic Muse: Studies in the Hippolytus and Hecuba of Euripides. Baltimore, Md.: Johns Hopkins University Press.
Kron, U. 1981(a). “Aithra I.” LIMC I.1: 420-437.
––––. 1981(b). “Akamas and Demophon.” LIMC I.1: 435-446.
Kurke, L. 1992. “The Politics of ἁβροσύνη in Archaic Greece.” CA 11: 90-121.
Lanza, D. 1988. “Les temps de l’émotion tragique . Malaise et soulagement.” Mêtis 3: 15-39.
Lardas, K. 1992. Mourning Songs of Greek Women. New York: Garland.
Lardinois, A., and L. McClure, eds. 2001. Making Silence Speak: Women’s Voices in Greek Literature and Society. Princeton: Princeton University Press.
Larson, J. Greek Heroine Cults. 1995. Madison: University of Wisconsin Press.
Lebeck, A. 1971. The Oresteia: A Study in Language and Structure. Cambridge, Mass.: Harvard University Press.
Lee, K., ed. 1976. Euripides Troades. New York: St. Martin’s Press.
Lipking, L. 1988. Abandoned Women and Poetic Tradition. Chicago: University of Chicago Press.
Lloyd, M., ed. 1994. Euripides Andromache. Warminster, England: Aris and Phillips.
Lohmann, D. 1970. Die Komposition der Reden in der Ilias. Berlin: de Gruyter.
Longo, O. 1990. “The Theater of the Polis.” In Winkler and Zeitlin 1990: 12-19.
Loraux, N. 1975. “ΗΒΗ et ΑΝΔΡΕΙΑ: Deux Versions de la Mort du Combattant Athénien.” Ancient Society 6: 1-31.
––––. 1986. The Invention of Athens: The Funeral Oration in the Classical City, trans. A. Sheridan. Cambridge, Mass.: Harvard University Press.
––––. 1987. Tragic Ways of Killing a Woman, trans. A. Forster. Cambridge, Mass.: Harvard University Press.
––––. 1995. The Experiences of Teiresias: The Feminine and the Greek Man, trans. P. Wissing. Princeton: Princeton University Press.
––––. 1998. Mothers in Mourning, trans. C. Pache. Ithaca, N.Y.: Cornell University Press.
––––. 2000. Born of the Earth: Myth and Politics in Athens, trans. S. Stewart. Ithaca, N.Y.: Cornell University Press.
––––. 2002. The Mourning Voice: An Essay on Greek Tragedy, trans. E. Rawlinson. Ithaca, N.Y.: Cornell University Press.
Lord, A. B. 1960. The Singer of Tales. Cambridge, Mass.: Harvard University Press, 1960. 2nd rev. edition, ed. S. Mitchell and G. Nagy, 2000.
––––. 1991. Epic Singers and Oral Tradition. Ithaca, N.Y.: Cornell University Press.
––––. 1995. The Singer Resumes the Tale. Ithaca, N.Y.: Cornell University Press.
Mackie, H. 1996. Talking Trojan: Speech and Community in the Iliad. Lanham, Md.: Rowman and Littlefield.
Malkin, I., ed. 2001. Ancient Perceptions of Greek Ethnicity. Cambridge, Mass.: Harvard University Press.
Marshall, K., ed. 1993. Rediscovering the Muses: Women’s Musical Traditions. Boston: Northeastern University Press.
Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca, N.Y.: Cornell University Press.
Martino, E. de. 1958. Morte e pianto rituale nel mondo antico. Turin: Einaudi.
Mastronarde, D. 1998. “Il coro euripideo.” QUCC 60: 55-80.
––––. 1999. “Knowledge and Authority in the Choral Voice of Euripidean Tragedy.” Syllecta Classica 10: 87-104.
––––. 2000. “Euripidean Tragedy and Genre: the Terminology and its Problems.” In Cropp, Lee, and Sansone 2000: 23-40.
Maxwell-Stuart, P. 1973. “The Dramatic Poets and the Expedition to Sicily.” Historia 22: 397-404.
McClure, L. 1999. Spoken Like a Woman: Speech and Gender in Athenian Drama. Princeton: Princeton University Press.
Meier, C. 1993. The Political Art of Greek Tragedy, trans. A Webber. Baltimore: Johns Hopkins University Press.
Mendelsohn, D. 2002. Gender and the City in Euripides’ Political Plays. Oxford: Oxford University Press.
Meritt, L. S. 1970. “The Stoa Poikile.” Hesperia 39: 233-264.
Michelini, A. 1978. “HUBRIS and Plants.” HSCP 82: 35-44.
––––. 1982. Tradition and Dramatic Form in the Persians of Aeschylus. Leiden: Brill.
––––. 1987. Euripides and the Tragic Tradition. Madison: University of Wisconsin Press.
Miles, S., ed. 1986. Simone Weil: An Anthology. New York: Wiedenfeld and Nicolson.
Miller, M. 1997. Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press.
Mills, S. “Achilles, Patroclus and Parental Care in Some Homeric Similes.” Greece and Rome 47 (2000): 3-18.
Mitchell, S. and G. Nagy. 2000. “Introduction to the Second Edition.” In Lord 1960/2000: vii-xxx.
Moles, J. 1996. “Herodotus Warns the Athenians.” Papers of the Leeds International Latin Seminar 9: 259-84.
Monsacré, H. 1984. Les larmes d'Achille: le héros, la femme et la souffrance dans la poésie d'Homère. Paris: A. Michel.
Morwood, J., ed. 2000. Euripides Hecuba, The Trojan Women, Andromache. Oxford: Oxford University Press.
Mossman, J. 1995. Wild Justice: A Study of Euripides’ Hecuba. Oxford: Clarendon Press.
Moulton, C. Similes in the Homeric Poems. Göttingen: Vandenhoeck und Ruprecht, 1977.
Muellner, L. 1990. “The Simile of the Cranes and Pygmies: A Study of Homeric Metaphor.” HSCP 93: 59-101.
Munson, R. 2001. Telling Wonders: Ethnographic and Political Discourse in the Work of Herodotus. Ann Arbor: The University of Michigan Press.
Murko, M. 1990. “The Singers and their Epic Songs.” Oral Tradition 5: 107-30.
Murnaghan, S. 1999. “The Poetics of Loss in Greek Epic.” In Beissinger, Tylus, and Wofford 1999: 203-20.
Murry, G. 1940. Aeschylus: The Creator of Tragedy. Oxford: Oxford University Press.
Nagler, M. 1974. Spontaneity and Tradition: A Study in the Oral Art of Homer. Berkeley: University of California Press.
Nagy, G. 1974. Comparative Studies in Greek and Indic Meter. Cambridge, Mass.: Harvard University Press.
––––. 1979. Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Baltimore: Johns Hopkins University Press. 2nd ed., 1999.
––––. 1985. “Theognis and Megara: A Poet’s Vision of His City.” In Figueira and Nagy 1985: 22-81.
––––. 1987. “The Sign of Protesilaos,” Metis 2/2: 207–13.
––––. 1990(a). Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore: Johns Hopkins University Press.
––––. 1990(b). Greek Mythology and Poetics. Ithaca: Cornell University Press.
––––. 1993. “Alcaeus in Sacred Space.” In Pretagostini 1993: 221-25.
––––. 1994/5(a). “Genre and Occasion.” Metis IX-X: 11-25.
––––. 1994/5(b). “Transformations of Choral Lyric Traditions in the Context of Athenian State Theater.” Arion 3: 41-55.
––––. 1996(a). Poetry as Performance. Cambridge: Cambridge University Press.
––––. 1996(b). Homeric Questions. Austin: University of Texas Press.
––––. 1998. “Foreword.” In Loraux 1998: ix-xii.
––––. 1999. “Epic as Genre.” In Beissinger, Tylus, and Wofford 1999: 21-32.
Nenola-Kallio, A. 1982. “Studies in Ingrian Lament.” FF Communications. Helsinki: Academia Scientiarum Finnica.
Neuberger-Donath, R. 1996. “Τέρεν δάκρυον: θαλερὸν δάκρυον: Über den Unterschied der Characterisierung von Mann und Frau bei Homer.” In Katzoff 1996: 57-60.
Nilsson, M. 1906. Griechische Feste. Leipzig: B. G. Teubner.
Nussbaum, M. 1986. The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy. Cambridge: Cambridge University Press.
Ormand, K. 1999. Exchange and the Maiden. Austin: University of Texas Press.
Osborne, R. 1994. "Looking On–Greek Style: Does the Sculpted Girl Speak to Women Too?" In Classical Greece: Ancient Histories and Modern Archaeologies, ed. I. Morris. Cambridge: Cambridge University Press, 81-96.
Pache, C. 1999. “Odysseus and the Phaeacians.” In Carlisle and Levaniouk 1999: 21-33.
Padilla, M. W., ed. 1999. Rites of Passage in Ancient Greece. Lewisburg: Bucknell University Press, 1999.
Page, D. L. 1936. “The Elegiacs in Euripides’ Andromache.” In Bailey 1936: 206-230.
––––. 1959. History and the Homeric Iliad. Berkeley: University of California Press.
Parry, A., ed. 1971. The Making of Homeric Verse: The Collected Papers of Milman Parry. Oxford: Clarendon Press.
Parry, M. 1932. “Studies in the Epic Technique of Oral Versemaking. II. The Homeric Language as the Language of Oral Poetry.” HSCP 43: 1-50 [repr. in A. Parry 1971: 325-64].
Patterson, O. 1991. Freedom, Volume I: Freedom in the Making of Western Culture. New York: Basic Books.
Pelling, C., ed. 1997(a). Greek Tragedy and the Historian. Oxford: Clarendon Press.
––––. 1997(b). “Aeschylus’ Persae and History.” In Pelling 1997: 1-20.
––––. 1997(c). “East is East and West is West—Or Are They? National Stereotypes in Herodotus.” Histos 1: http://www.dur.ac.uk/Classics/histos/1997/pelling.html.
Pickard-Cambridge, A. 1968. The Dramatic Festivals of Athens. 2nd ed. Oxford: Clarendon Press.
Podlecki, A. J. 1990. “Could Women Attend the Theater in Ancient Athens? A Collection of Testimonia.” Ancient World 21: 27-43.
Porter, J. R., E. Csapo, C. W. Marshall, and R. C. Ketterer, eds. 1999. Crossing the Stages: The Production, Performance and Reception of Ancient Theater. Syllecta Classica Vol. 10.
Powell, B., and I. Morris, eds. 1997. A New Companion to Homer. Leiden: Brill.
Pozzi, D. 1991. “The Polis in Crisis.” In Pozzi and Wickersham 1991: 126-63.
Pozzi, D., and J. Wickersham, eds. 1991. Myth and the Polis. Ithaca: Cornell University Press.
Pretagostini, R., ed. 1993. Tradizione e innovazione nella cultura greca da Omero all’ età ellenistica: scritti in onore di Bruno Gentili. Rome: Gruppo editoriale internazionale.
Raaflaub, K. 1987. “Herodotus, Political Thought, and the Meaning of History.” Arethusa 20: 221-48.
Rabinowitz, N. 1993. Anxiety Veiled: Euripides and the Traffic in Women. Ithaca: Cornell University Press.
––––. 1995. “The Male Actor of Greek Tragedy: Evidence of Misogyny or Gender-Bending?” In Goetsch and Toohey 1995: http://didaskalia.open.ac.uk/issues/supplement1/Rabinowitz.html.
––––. 1998. “Slaves with Slaves: Women and Class in Euripidean Tragedy.” In Joshel and Murnaghan 1998: 56-68.
––––. 2000. “Victoria Wohl, The Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy.” BMCR 2000.08.28: http://ccat.sas.upenn.edu/bmcr/2000/2000-08-28.html.
Raheja, G., and A. Gold. 1994. Listen to the Heron’s Words: Reimagining Gender and Kinship in North India. Berkeley: University of California Press.
Reckford, K. 1985. “Concepts of Demoralization in the Hecuba.” In Burian 1985: 112-128.
Reed, J. D. 1995. “The Sexuality of Adonis.” Classical Antiquity 14: 317-347.
––––. ed. 1997. Bion of Smyrna: The Fragments and the Adonis. Cambridge: Cambridge University Press.
Rehm, R. 1994. Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton: Princeton University Press.
––––. 2002. The Play of Space: Spatial Transformation in Greek Tragedy. Princeton: Princeton University Press.
Reynolds, D. F. 1995. Heroic Poets, Poetic Heroes: The Ethnography of Performance in an Arabic Oral Epic Tradition. Ithaca: Cornell University Press.
Richardson, N., ed. 1993. The Iliad: A Commentary. Vol. VI. Cambridge: Cambridge University Press.
Ridgeway, B. 1981. Fifth Century Styles in Greek Sculpture. Princeton: Princeton University Press.
––––. 1991. Prayers in Stone: Greek Architectural Sculpture. Berkeley: University of California Press.
Ridgeway, W. 1910. The Origin of Tragedy. Cambridge: Cambridge University Press.
Riemer, P. and B. Zimmerman, eds. 1998. Der Chor im antiken und modernen Drama. Stuttgart and Weimar: J. B. Metzler.
Robert, C. Die Iliupersis des Polygnot. 1893. Halle: Hallisches Winckelmannsprogram.
Roilos, P., and D. Yatromanolakis. 2002. See Alexiou 1974/2002.
Rose, P. 1995. “Historicizing Sophocles’ Ajax.” In Goff 1995: 59-90.
Rosen, R., and I. Sluiter, eds. 2003. Andreia. Studies in Manliness and Courage in Classical Antiquity. Mnemosyne Suppl. 238. Leiden: Brill.
Rosenblatt, P. C., R. Walsh, and A. Jackson, eds. 1976. Grief and Mourning in Cross-Cultural Perspective. New Haven: Human Relations Area Files Press.
Rosenbloom, D. 1995. “Myth, History, and Hegemony in Aeschylus.” In Goff 1995: 91-130.
Saïd, S. 2002. “Greeks and Barbarians in Euripides’ Tragedies: The End of Differences?” In Harrison 2002: 62-100.
Sainte Croix, G. E. M. de. 1981. The Class Struggle in the Ancient Greek World: From the Archaic Age to the Arab Conquests. Ithaca, NY: Cornell University Press.
Saxonhouse, A. 1992. Fear of Diversity: The Birth of Political Science in Ancient Greek Thought. Chicago: University of Chicago Press.
Scaife, R. 1995. “The Kypria and Its Early Reception.” CA 14: 164-92.
Schefold, K. and F. Jung. 1989. Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst. Munich: Hirmer Verlag.
Schein, S. 1984. The Mortal Hero: An Introduction to Homer’s Iliad. Berkeley: University of California Press.
Schrier, O. 1998. The Poetics of Aristotle and the Tractatus Coislinianus. A Bibliography from about 900 till 1996, Leiden: Brill.
Scodel, R. 1980. The Trojan Trilogy of Euripides. Hypomnemata 60. Göttingen: Vandenhoeck and Ruprecht.
––––. 1998. “The Captive’s Dilemma: Sexual Acquiescence in Euripides’ Hecuba and Troades.” HSCP 98: 137-154.
Scott, W. The Oral Nature of the Homeric Simile. Leiden: Brill, 1974.
Seaford, R. 1981. “Dionysiac Drama and the Dionysiac Mysteries.” CQ 31: 252-75.
––––. 1987. “The Tragic Wedding.” JHS 107: 106-30.
––––. 1994. Reciprocity and Ritual: Homer and Tragedy in the Developing City State. Oxford: Clarendon Press.
––––. 2003. “Aeschylus and the Unity of Opposites.” JHS 123: 141-63.
Segal, C. 1971. “Andromache’s Anagnorisis: Formulaic Artistry in Iliad 22.437-76.” HSCP 75: 33-57.
––––. 1990. “Violence and the Other: Greek, Female, and Barbarian in Euripides’ Hecuba.” TAPA 120: 109-131 [reprinted in Segal 1993].
––––. 1993. Euripides and the Poetics of Sorrow. Durham, N.C.: Duke University Press.
––––. 1995. Sophocles’ Tragic World: Divinity, Nature, Society. Cambridge, Mass.: Harvard University Press.
––––. 1996. “Catharsis, Audience, and Closure in Greek Tragedy.” In Silk 1996: 149-172.
Seidensticker, B. 1995.“Women on the Tragic Stage.” In Goff 1995: 151-73.
Seremetakis, C. N. 1990. “The Ethics of Antiphony: The Social Construction of Pain, Gender and Power in the Southern Peloponnese.” Ethos 18: 281-511.
––––. 1991. The Last Word: Women, Death, and Divination in Inner Mani. Chicago: University of Chicago Press.
Sideras, A. 1971. Aeschylus Homericus: Untersuchungen zu den Homerismen der aischyleischen Sprache. Hypomnemata 31. Göttingen: Vandenhoeck and Ruprecht.
Silk, M., ed. 1996. Tragedy and the Tragic: Greek Theatre and Beyond. Oxford: Clarendon Press.
––––. 1998. “Style, Voice, and Authority in the Choruses of Greek Drama.” In Riemer and Zimmerman 1998: 1-26.
Simon, E. 1992. “Menestheus.” LIMC VI.1: 472-475.
Simpson, R. Hope, and J. Lazenby. 1970. The Catalogue of the Ships in Homer’s Iliad. Oxford: Clarendon Press.
Sissa, G. 1990. Greek Virginity, trans. by A. Goldhammer. Cambridge, Mass.: Harvard University Press.
Slatkin, L. 1991. The Power of Thetis: Allusion and Interpretation in the Iliad. Berkeley: University of California Press.
Sommerstein, A., S. Halliwell, J. Henderson, and B. Zimmerman, eds. 1993. Tragedy, Comedy, and the Polis. Bari: Levante editori.
Sourvinou-Inwood, C. 1995. “Reading” Greek Death: To the End of the Classical Period. Oxford: Clarendon Press.
Stanford, W. B. 1983. Greek Tragedy and the Emotions: An Introductory Study. London: Routledge & Kegan Paul.
Stansbury-O’Donnell, M. 1989. “Polynotos’s Iliupersis: A New Reconstruction.” AJA 93: 203-215.
Steiner, D. 2001. Images in Mind: Statues in Archaic and Classical Greek Literature and Thought. Princeton: Princeton University Press.
Stieber, M. 2004. The Poetics of Appearance in the Attic Korai. Austin: University of Texas Press.
Sultan, N. 1993. “Private Speech, Public Pain: The Power of Women’s Laments in Ancient Greek Poetry and Tragedy.” In Marshall 1993: 92-110.
––––. 1999. Exile and the Poetics of Loss in Greek Tradition. Lanham, Md.: Rowman & Littlefield.
Taplin, O. 1977. The Stagecraft of Aeschylus: the Dramatic Use of Exits and Entrances in Greek Tragedy. Oxford: Clarendon Press.
Thalmann, W. 1980. “Xerxes’ Rage: Some Problems in Aeschylus.” AJP 101: 260-82.
Thomson, G. 1946. Aeschylus and Athens. 2nd ed. London: Lawrence and Wishart.
Tsagalis, C. 2004. Epic Grief: Personal Laments in Homer’s Iliad. Berlin: De Gruyter.
Vermeule, E. 1979. Aspects of Death in Early Greek Art and Poetry. Berkeley: University of California Press.
Vernant, J.-P. 1991. Mortals and Immortals. Princeton: Princeton University Press, 1991.
Vernant, J.-P., and P. Vidal-Naquet. 1990. Myth and Tragedy in Ancient Greece, trans. J. Lloyd. Revised paperback edition. New York: Zone Books.
Vidal-Naquet, P. 1986. The Black Hunter: Forms of Thought and Forms of Society in the Greek World, trans. A. Szegedy-Maszak. Baltimore: Johns Hopkins University Press.
––––. 1997. “The Place and Status of Foreignors in Athenian Tragedy.” In Pelling 1997a: 110-119.
Vidan, A. 2003. Embroidered with Gold, Strung with Pearls: The Traditional Ballads of Bosnian Women. Cambridge, Mass.: Harvard University Press.
Vogt, J. 1975. Ancient Slavery and the Ideal of Man, trans. T. Wiedemann. Cambridge, Mass.: Harvard University Press.
Webster, T. B. L. 1970. The Greek Chorus. London: Methuen.
Wees, H. van. 1998. “A Brief History of Tears: Gender Differentiation in Archaic Greece.” In Foxhall and Salmon 1998: 10-53.
Weil, S. 1945. “The Iliad or the Poem of Force,” trans. M. McCarthy. First published in Politics (November, 1945). Reprinted in Miles 1986.
West, M. L. 1990. Studies in Aeschylus. Stuttgart: B.G. Teubner.
––––. 1998. Homeri Ilias I. Stuttgart and Leipzig: B. G. Teubner.
Westlake, H. 1953. “Euripides’ Troades: 205-229.” Mnemosyne 6: 181-91.
White, M., ed. 1952. Studies in Honor of Gilbert Norwood. Toronto: University of Toronto Press.
Wiedemann, T., ed. 1981. Greek and Roman Slavery. London: Croom Helm.
––––., ed. 1987. Slavery. Greece and Rome 19.
Winkler, J. 1985. “The Ephebes’ Song.” Representations 11: 26-62 [revised and reprinted in Winkler and Zeitlin 1990].
––––. 1990(a). The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece. New York: Routledge.
––––. 1990(b). “The Ephebes’ Song: Tragoidia and Polis.” In Winkler and Zeitlin 1990: 20-62.
Winkler, J., and F. Zeitlin, eds. 1990. Nothing to do with Dionysus?: Athenian Drama in its Social Context. Princeton: Princeton University Press.
Winnington-Ingram, R. 1983. Studies in Aeschylus. Cambridge: Cambridge University Press.
Wohl, V. 1998. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. Austin: University of Texas Press.
Woodford, S. 2003. Images of Myths in Classical Antiquity. Cambridge: Cambridge University Press.
Wycherley, R. E. 1953. “The Painted Stoa.” Phoenix 7: 20-35.
Zanker, G. 1992. “Sophocles’ Ajax and the Heroic Values of the Iliad.” CQ 42.1: 20-25.
Zeitlin, F. 1965. “The Motif of Corrupted Sacrifice in Aeschylus’ Oresteia.” TAPA 96: 463-508.
––––. 1966. “Postscript to Sacrificial Imagery in the Oresteia.” TAPA 97: 645-53.
––––. 1990. “Thebes: Theater of Self and Society in Athenian Drama.” In Winkler and Zeitlin 1990: 130-167.
––––. 1993. “The Artful Eye: Vision Ecphrasis, and Spectacle in Euripidean Theatre.” In Goldhill and Osborne 1993: 138-196, 295-304.
––––. 1995. “Art, Memory, and Kleos in Euripides’ Iphigeneia at Aulis.” In Goff 1995: 174-201.
––––. 1996. Playing the Other: Gender and Society in Classical Greek Literature. Chicago: Chicago University Press, 1996.