Bibliography

Bibliographical abbreviations

ABV = Beazley, J. 1956. Attic Black-Figure Vase Painters. Oxford.
BA = Nagy, G. 1999. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Rev. ed. with new intro. Baltimore (available online).
CPG = Leutsch, E. L. von, and F. G. Schneidewin, eds. 1839–1851. Corpus Paroemiographorum Graecorum. Göttingen.
DELG = Chantraine, P. 2009. Dictionnaire étymologique de la langue grecque: histoire des mots (ed. J. Taillardat, O. Masson, and J.-L. Perpillou, with a supplement Chroniques d’étymologie grecque 1–10, ed. A. Blanc, Ch. de Lamberterie, and Jean-Louis Perpillou). Paris.
EH = Nagy, G. 2006. “The Epic Hero.” Expanded version of “The Epic Hero.” A Companion to Ancient Epic (ed. J. M. Foley) 71–89. Oxford, 2005 (available online).
FGH = Jacoby, F. 1923–58. Die Fragmente der griechischen Historiker. 3 vols. Berlin.
GM = Nagy, G. 1990b. Greek Mythology and Poetics. Ithaca NY (available online).
H24H = Nagy, G. 2013. The Ancient Greek Hero in 24 Hours. Cambridge, MA.
HC = Nagy, G. 2009. Homer the Classic. Hellenic Studies 36. Cambridge, MA and Washington, DC (available online).
HPC = Nagy, G. 2010. Homer the Preclassic. Berkeley and Los Angeles, CA (available online).
HQ = Nagy, G. 1996b. Homeric Questions. Austin, TX (available online).
HR = Nagy, G. 2003. Homeric Responses. Austin, TX.
HTL = Nagy, G. 2004a. Homer’s Text and Language. Urbana and Chicago.
IG = Deutsche akademie der Wissenschaften. 1873–. Inscriptiones Graecae. Berlin.
LSJ = Liddell, H. G., R. Scott, and H. S. Jones. 1940. A Greek-English Lexicon. 9th ed. Oxford.
MW = Fragmenta Hesiodea. Ed. R. Merkelbach and M. West. 1967. Oxford.
PH = Nagy, G. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore (available online).
PMG = Page, D. L. 1962. Poetae Melici Graeci. Oxford.
PP = Nagy, G. 1996a. Poetry as Performance: Homer and Beyond. Cambridge (available online).
PR = Nagy, G. 2002a. Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens. Cambridge, MA and Athens (available online).
SEG = Gieben, J. C., et al. 1923–. Supplementum Epigraphicum Graecum. Amsterdam.

Bibliographical references

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Chaniotis, A. 2009. “Dividing Art - Divided Art: Reflections on the Parthenon Sculpture.” New Acropolis Museum I (ed. I. Mylonopoulos and A. Chaniotis) 41–48. New York.
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———. 2007. Portrait of a Priestess: Women and Ritual in Ancient Greece. Princeton.
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Dué, C. 2002. Homeric Variations on a Lament by Briseis. Lanham, MD. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Due.Homeric_Variations_on_a_Lament_by_Briseis.2002.
———. 2006. The Captive Woman’s Lament in Greek Tragedy. Austin. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Due.The_Captive_Womans_Lament_in_Greek_Tragedy.2006.
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———. 1979. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Revised ed. with new introduction 1999. Baltimore. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Best_of_the_Achaeans.1999.
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———. 1999. See Nagy 1979.
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———. 2001a. “The Sign of the Hero: A Prologue to the Heroikos of Philostratus.” In: Berenson Maclean and Aitken 2001:xv–xxxv. The page numbering will be given here in arabic numerals. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Sign_of_the_Hero.2001.
———. 2001b. “Reading Bakhtin Reading the Classics: An Epic Fate for Conveyors of the Heroic Past.” Bakhtin and the Classics (ed. R. B. Branham) 71–96. Evanston IL. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Reading_Bakhtin_Reading_the_Classics.2002.
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———. 2004a. Homer’s Text and Language. Urbana and Chicago, IL. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homers_Text_and_Language.2004.
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———. 2005a. “The Epic Hero.” A Companion to Ancient Epic (ed. J. M. Foley) 71–89. Oxford.
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———. 2007b. “Homer and Greek Myth.” The Cambridge Companion to Greek Mythology (ed. R. D. Woodard) 52–82. Cambridge. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Homer_and_Greek_Myth.2007.
———. 2007c. “Did Sappho and Alcaeus Ever Meet?” Literatur und Religion: Wege zu einer mythisch–rituellen Poetik bei den Griechen I (ed. A. Bierl, R. Lämmle, and K. Wesselmann) 211–269. MythosEikonPoiesis 1.1. Berlin and New York. Revised and updated version in http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Did_Sappho_and_Alcaeus_Ever_Meet.2007.
———. 2008a. Greek: An Updating of a Survey of Recent Work. Cambridge MA and Washington DC. Updating of Nagy 1972, but with original page numbering. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_an_Updating.2008.
———. 2008b. “Convergences and Divergences between God and Hero in the Mnesiepes Inscription of Paros.” Archilochus and his Age II (ed. D. Katsonopoulou, I. Petropoulos, S. Katsarou) 259–265. Athens.
———. 2008|2009. Homer the Classic. Online | Printed version. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Classic.2008. | Hellenic Studies 36. Cambridge MA and Washington DC.
———. 2009|2010. Homer the Preclassic. Online | Printed version. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Preclassic.2009. | Berkeley and Los Angeles.
———. 2009a. “Hesiod and the Ancient Biographical Traditions.” The Brill Companion to Hesiod (ed. F. Montanari, A. Rengakos, and Ch. Tsagalis) 271–311. Leiden. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Hesiod_and_the_Ancient_Biographical_Traditions.2009.
———. 2009b. “An Apobatic Moment for Achilles as Athlete at the Festival of the Panathenaia.” Expanded version of Nagy 2005b. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.An_Apobatic_Moment_for_Achilles.2005.
———. 2009c. “The Fragmentary Muse and the Poetics of Refraction in Sappho, Sophocles, Offenbach.” Theater des Fragments: Performative Strategien im Theater zwischen Antike und Postmoderne (ed. A. Bierl, G. Siegmund, Ch. Meneghetti, C. Schuster) 69–102. Bielefeld. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Fragmentary_Muse_and_the_Poetics_of_Refraction.2009.
———. 2010a. “The ‘New Sappho’ Reconsidered in the Light of the Athenian Reception of Sappho.” The New Sappho on Old Age: Textual and Philosophical Issues (ed. E. Greene and M. Skinner) 176–199. Cambridge, MA and Washington, DC. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_New_Sappho_Reconsidered.2011.
———. 2010b. “Ancient Greek Elegy.” The Oxford Handbook of the Elegy (ed. K. Weisman) 13–45. Oxford. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Ancient_Greek_Elegy.2010.
———. 2010c. “The Meaning of homoios (ὁμοῖος) in Verse 27 of the Hesiodic Theogony and Elsewhere.”Allusion, Authority, and Truth: Critical Perspectives on Greek Poetic and Rhetorical Praxis (ed. P. Mitsis and Ch. Tsagalis) 153–167. Trends in Classics vol. 7. Berlin and New York. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Meaning_of_homoios.2010.
———. 2011a. “Asopos and His Multiple Daughters: Traces of Preclassical Epic in the Aeginetan Odes of Pindar.” Aegina: Contexts for Choral Lyric Poetry. Myth, History, and Identity in the Fifth Century BC (ed. D. Fearn) 41–78. Oxford. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Asopos_and_His_Multiple_Daughters.2011.
———. 2011b. “A Second Look at the Poetics of Reenactment in Ode 13 of Bacchylides.” Archaic and Classical Choral Song: Performance, Politics and Dissemination (ed. L. Athanassaki and E. L. Bowie) 173–206. Berlin. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.A_Second_Look_at_the_Poetics_of_Re-Enactment.2011.
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———. 2011d. “The Earliest Phases in the Reception of the Homeric Hymns.” The Homeric Hymns: Interpretative Essays (ed. A. Faulkner) 280–333. Oxford. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Earliest_Phases_in_the_Reception_of_the_Homeric_Hymns.2011.
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Footnotes

[ back ] 1. Corrigenda: at §77, “Pausanias 1.5.3 should be “Pausanias 1.5.4.”
[ back ] 2. Corrigenda. On p. 203 between “same line)” and “specified,” insert “of the marital bed; similarly, she ‘recognizes’ (ἀναγνούσῃ xix 250) as sēmata (same line) the clothes …” (in the present printed version, the reference to the marital bed as sēmata at Odyssey xxiii 206 is distorted by a mistaken omission of the wording that needs to be restored here: by haplography, the mention of the marital bed is omitted, and this omission distorts the point being made about the clothes and brooch of Odysseus as sēmata in their own right at xix 250). On p. 214n42, “Pausanias 9.44.44” should be 8.44.4.